Category: Tim Burton

Tim Burton Cinematic Techniques.
The greatest directors of our time often have a “trademark” style that audience members come to recognize and connect with them. Tim Burton is among such directors along with JJ Abrams and Oliver Stone; both of which have a brilliantly unique style. The protagonist in Burton’s films frequently reveal his emotions and the way he sees the world.
In his films he creates a recurring theme about outsiders and how they fit in this crazy, mixed-up place. It is clear in Edward Scissor Hands, Charlie and the Chocolate Factory, and Corpse Bride, that people fear change and the great unknown. Burton gives light to vastly suppressed outsider perspectives and teaches an important lesson about difference and all that it brings.
He uses cinematic techniques such as emotional close-ups, contrasted lighting, and non-diegetic music in order to create gothic fairy tales revealing the cliché that not everything is the way it seems. In many of Tim Burton’s films, he uses close-up shots to resonate with his audience that a deep emotion or personal connection with the character is being made. This is shown numerous times in Edward Scissor Hands, Charlie and the Chocolate Factory, and Corpse Bride.

This technique is most often used in what’s believed to be Burton’s most personal film, Edward Scissor Hands. More specifically with the young Edward and Kim. The close-ups allow the audience to not only see, but to feel the forbidden love the two characters share. For example, when Edward first see’s her photos, it’s as if time stops. Burton uses a close up in order for the audience to see emotion deeper past Edwards frightening exterior.
Burton uses a similar concept in The Corpse Bride, when Victor and Victoria meet for the first time. The close-up on both individuals who are forceful to be wed show the audience the true connection they share despite the circumstance. This foreshadows a genuine relationship progressing. Though it is common, love is not the only emotion displayed with close-up shots. Burton zooms into Emily’s face as she sees Victor and Victoria together to show the audience utter hatred. In yet another Burton film, Charlie and the Chocolate Factory, when Willy Wonka is asked about his father there’s a close-up on him to present the pain it brings Willy to discuss such a personal matter, thus immediately telling our audience that he suffers from an emotional problem with his past and family.
Burton very efficiently uses’ this camera movement to detach his protagonist from the other characters. This isn’t always a physical separation but often a mental and social detachment as well. It’s safe to say that an audience can almost always spot a “Burton Film” within the first few moments of a preview. He is well known for his use of low key lighting to create a dark, ominous, and mildly disturbing picture.
This is a technique that plays a major role in setting Burton apart from your average director. While being a strong believer in the use of low key lighting, he very frequently uses it in contrast to high key lighting, often with bold colors to coincide with the use of cheerful and upbeat music to display a sense of utopia.
In Edward Scissor Hands Burton presents the seemingly “perfect” town painted with bright pastel colors and a kind setting; then contrasts it with an isolated castle shown in the distance that is showered in darkness. From the first time the audience is presented with the eerie castle, an image of separation between Edward and the townspeople is created along with a preconceived idea of the mysterious protagonist. This technique is used in many other Tim Burton Films, such as Charlie and the Chocolate Factory.
He shows the audience a grey town riddled with a glum vibe, while Willy Wonka’s factory is unveiled to be a wild array of color and creativity. The factory is certainly not what it appears to be on the outside. While unordinary to the public eye, only a select few are granted with the view of the amazement that lies inside.
This seems to be a recurring theme within the films under Burton’s direction. Twisting things around in Corpse Bride, Burton displays a town overruled with morbidity that isn’t contrasted with a factory or castle, but the beautiful land of the dead. It seems ironic that the dead are shown as the most joyous and “lively”, but is it really? The gothic mannerisms are almost always the most unique and wonderful places to be when it comes to a Tim Burton film.
The point Burton is trying to prove is that a life of difference can be filled with happiness and that nothing is really what it at first seems. Another technique Tim Burton uses very precisely that is often overlooked is his use of non-diegetic music. In Edward Scissor Hands, Burton uses a wide variation of music.
For example, whenever Edward saw Kim a light and whimsical song is played, thus foreshadowing to the audience the progressing feelings Edward has for Kim. In Charlie and the Chocolate Factory, the music is used to create a contrast between the depressing life of Charlie Bucket, and the magical factory. Sorrowful music is played whenever Charlie’s home is being shown, creating a sympathetic mood. While the factory is accompanied with upbeat music whenever presented. A similar style is displayed in Corpse Bride.
The living world is set with dreary ominous music while the land of the dead is filled with a dancing jazz town that is bursting with “life”! This of course is a humorous take on death that plays very well into the themes seen most often in Tim Burton’s films.
Tim Burton’s trademark style wouldn’t be complete without his use of music to construct a particular mood and tone for his audience. Tim Burton wouldn’t be known as such a film genius in this generation if it wasn’t for his use of cinematic techniques such as close up shots, contrasted lighting, and non-diegetic music. While they may seem like small details, they all play a very large role to create the ‘in between the lines’ message Burton strives to convey: not everything is what is seems and lonely life isn’t necessarily an unhappy one. Burton shows an uncommon perspective that a life of difference can be bliss in this own misunderstood. No one will ever completely be able to explain the stylistic techniques of such a unique director, but that’s just the way Tim Burton likes it.

Tim Burton Cinematic Techniques

Tim Burton Cinematic Techniques Analysis.
Tim Burton main style of movie is Gothic. There are many different types of cinematic techniques all used to communicate meaning and evoke different emotional reactions with the viewers. In most of his movies he is trying to evoke a gothic feeling. For example he uses sound, lighting, and different types of shots and framing. You can observe some of those techniques in his movies, Charlie and the Chocolate Factory, Beetle Juice, Edward Scissor Hands and more. Sound is a main cinematic technique that Tim Burton uses. There are two types of sound, dietetic and non- dietetic.
Those types of sounds are used in different ways. A dietetic sound is one that could logically be heard by the characters in a film. Non-dietetic is one that cannot be heard by the characters but is designed for audience reaction only. Sound also sets the mood for a scene. For example, in Edward scissor hands, when the woman was showing him around their house for the first time a happy upbeat sound was playing to set a happy mood. Another example is when the woman went up into Edwards house; dark sad music was playing to match the scary setting.
In most films sound will match the setting or mood of the scene. However even though sound s a factor in setting the mood of a film, lighting also plays a role. Lighting Is a part of the scene. If the setting of the scene is dark and gloomy the lighting will be low key, which is when the scene Is flooded with shadows and darkness to portray suspense or suspicion. If the setting of the scene Is a bright flower garden, the lighting will mostly be High key, which meaner the scene Is flooded with light creating a bright mood.

An example of Tim Burton using these would be In Charlie and the Chocolate Factory; when everything and everyone was black and white unless It was a part of Wily Wonk. He used low key with everything black and white except Wily Wonk things to evoke the viewer’s emotions to feel as though, If you weren’t apart of Wily Wonk then you were not bright, colorful, and happy. This same technique Is used In some of his other movies. A shot Is a single piece of film uninterrupted by cuts.
In Tim Burtons movies, you may not notice, but he uses multiple types of shots. A few are, long shot, which Is shot from distance, shows Isolation or vulnerability of the person, and Medium shot, which Is when the camera Is medium distance away from hearted, and It Is usually used to ground the story. An example of long shot Is during the movie Beetle Juice; Beetle Juice was sitting on the grave stone alone shot from a long distance, the shot portrayed a sense of vulnerability and loneliness.
Also In the movie Beetle Juice, when the family and guests dance around the table singing, It Is shot at a medium distance, which makes It a medium shot, which grounded the story. So as you can see there are many different types of cinematic techniques used to communicate meaning and evoke different emotional reactions with the viewers. Sound, lighting, and shot type are only a few; there are many other Important cinematic techniques that Tim Burton uses. You can observe more techniques and really notice which ones he uses and understand why In his movies.
A couple would be Beetle Juice, Edwards Scissors Hands, Charlie and The Chocolate Factory, and many more. Tim Burton Cinematic Techniques By mapping is a factor in setting the mood of a film, lighting also plays a role. Lighting is a part of which is when the scene is flooded with shadows and darkness to portray suspense or suspicion. If the setting of the scene is a bright flower garden, the lighting will costly be High key, which meaner the scene is flooded with light creating a bright mood.
An example of Tim Burton using these would be in Charlie and the Chocolate Factory; when everything and everyone was black and white unless it was a part of things to evoke the viewer’s emotions to feel as though, if you weren’t apart of Wily Wonk then you were not bright, colorful, and happy. This same technique is used in some of his other movies. A shot is a single piece of film uninterrupted by cuts. In are, long shot, which is shot from distance, shows isolation or vulnerability of the errors, and Medium shot, which is when the camera is medium distance away from character, and it is usually used to ground the story.
An example of long shot is during the movie Beetle Juice; Beetle Juice was sitting on the grave stone alone shot in the movie Beetle Juice, when the family and guests dance around the table singing, it is shot at a medium distance, which makes it a medium shot, which grounded the Sound, lighting, and shot type are only a few; there are many other important really notice which ones he uses and understand why in his movies. A couple would

Tim Burton Cinematic Techniques Analysis

Tim Burton Style Analysis.
Tim Burton Style Analysis Tim Burton has achieved much fame for his imaginative movies and his quirky remakes of old classics such as Alice, Batman, and Charlie and the Chocolate Factory. It is in Edward Scissorhands though, a heartfelt story about an outsider looking in, that Burton shows off his true skills as a director. Using point of view, setting, and motifs his film becomes not just a good movie, but an amazing classic. Burton uses point of view to show the characters perspective and to fill in the missing gaps in the characters history in the form of flashbacks.
For example, one of the beginning scenes in the movie show that the devout woman looks out the window and sees the other woman of the neighborhood flocking together, yet not inviting her to join them. It shows that the woman is an outcast, and is not included in things. Another scene shows Edward’s dejected face and then flashes over to a scene of Kim goofing off with her boyfriend. It lets the viewer understand that Edward is interested romantically in Kim, and thus upset that she is involved with someone else. This is a more subtle technique, and makes the scene more memorable to the viewer because they didn’t come right out and say it.
As opposed to telling the audience about something, Burton prefers to let them see for themselves. To show Edwards origins, Burton has Edward looking out the window and has a flashback about how he was created. Burton also uses setting to a magical extent. Burton is an admirer of over-exaggeration, and this is evident in his distinction of the neighborhood and Edwards’s castle. Whereas the community is bright a cheery, with houses of alternating color and rather small proportions, the castle is dark and opposing. All the houses in the community don’t have more than four feet between them, and even the backyards are visible from the street.

Burton also exaggerates the looming castle’s isolation by putting it on a mountain. Burton purposefully designs the community to be the homey, picturesque American dream while Edward’s castle is the definition of gloom and doom. Yet when Peg first comes to the entrance of the castle, she encounters an amazing garden, much more beautiful than anything thing the people in the community could make, showing us that our perceptions aren’t always right. Burton often uses motifs in his movies and Edward Scissorhands is no different. Among many, one of the motifs Burton uses is conformity vs. ndividuality. Burton’s movies all carry common threads, and like all of Burton’s previous main characters, Edward is an outcast. He is a spark of creativity in an otherwise dull society. The citizens of the community choose to conform and the all have flat personalities. One is either a maneater or a motherly type or some other cliche, and that part seems to encompass the rest of their personality. While Edward, who is so different from the way he looks to the way he acts, seems to be the only human character. His personality possesses many layers.
The citizens also dress bright and cheery is a retro-style, while Edward with his uncontrollable hair and pale skin looks like a gritty Goth. In conclusion, Burton’s skill shines throughout the entire movie. Using point of view, setting, motifs, and other style techniques, Burton makes Edward Scissorhands a true hit. Tim Burton’s unorthodox style gives new standards to the movie business, and delivers heartwarming stories about misconceptions and finding yourself. With Tim Burton’s masterful skill and playful humor, it becomes obvious why Edward Scissorhands is such a hit. Gigi Orphali 12-8-11 p. 5-6

Tim Burton Style Analysis

Tim Burton’s Movie Expertise.
Tim Burtons use of deferent movie techniques made one of the best directors existing. H made many movies, all very popular by his fans. His work Is considered to be some of the best, bringing Gothic humor and dark, but innocent tones to the audience. His works with Gothic fantasy, a genre almost never used in the past, is common in his movies. Some of his most popular gothic fantasy movies are Edward Chardonnays and the Nightmare Before Christmas. Tim Burtons use with in techniques with camera shots mostly made him famous. There are many examples to this.
He used a variety of long shots, close-ups, and medium shots. A movie where I find the most of these angles used was Edward Chardonnays. In a scene In Edwards dark castle home, Peg, was trying to sell make- up products. She went up the hill, with Ion-shots establishing the setting in the scene. She drove up the dark trail up the hill, passing dead trees and a quiet, but leer area. She went up to the castle door, having a close-up to see the Intensity and emotion of her fear as she went Inside. She knocked on the door, but no one responded.
She entered in herself, a long shot showing her walk into the castle uninvited. Peg went up a winding stairs, a medium shot following behind her, wowing from up her waist. On the empty CD floor, a long shot showed her walk over to a bed made of straw, with photos hanging by It. A close up on her face revealed her emotions as she examined the pictures. For the audience, the scene was predicting something, building up an event. Behind her, a medium shot showed the front of Peg, with a shadow moving in the back of the room, making a snipping sound.

Peg looked behind her, as the flexure walked out of the shadow. She seems horrified, a close up looking at her face. A medium shot showed the figure to be Edward Chardonnays. A close up shot showed Edwards emotions, fear. He stood stiffly in front of her, the camera tracking both of them in a medium shot. Peg walked up to him, asking where his parent’s are. He responded with a close-up, “He never woke up. ” Tim Burtons use of lighting is very extensive along with expert camera angles. Lighting was heavily used to emphasize the Joy and happiness of shots In Charlie And The Chocolate Factory.
This was the key to the most Important establishing shot, the candy meadow. As the children and Wily Wonk walked through a dark, bland hallway, the lighting was from the back of the scene, where they came from. They mound a small door, and Wily Wonk crouched down, unlocking it. Light shown through the door as he opened It, revealing a large candy meadow, with a flowing chocolate waterfall and river. The children”s and parent’s faces ere surprised, a high- key lighting the shot of the meadow.
The camera moved, browsing through the many plants that were made of candy. The colors and lighting were bright, showing happiness and the Joy of the scene. Wily Wonk grinned, extending his arms to emphasize the scene’s wonder. He let the children and adults go, as they browsed through the bright area for the candy. Another example would be from Edward 1 OFF Scissoring, where Peg brought Edward none in near car, driving by a ass’s looking neighborhood. High-key lighting emphasized the bright grass, showing peacefulness and innocence.
Children played on the lawns, while Edward watched the area with a mix of fear, wonder, and Joy. They passed bright colored houses, ranging from green to bright blue. Tim Burtons use of sound is another fan favorite of the director. The orchestra music ranges from Joy to fear, to being surprised. Dietetic sound includes eerie creaks, and other techniques for creating a mood for the audience to the movie. In the Charlie and the Chocolate factory, music and dietetic sound was used to display emotion in the shot and convey the message given to the audience watching the movie.
In the candy meadow, a loud orchestra playing wondrous, beautiful music played non- didactically to set mood for the shot. As the character’s moved around, they could could listen and hear dietetic music, like the chocolate waterfall, or the wind rustling the edible grass and trees. In Edward Chardonnays, non-dietetic music was used in the scene where Peg finds Edward. It was slow, and curious. When they both were riving to pegs home, it change dint a fast, more Joyful sound for the audience.
Tim Burtons expert use of lighting, camera angles, and sound made his movies what they are now. Starting in the sass’s his quality stayed the same, if not increasing over time. Even to his new releases such as Charlie And The Chocolate Factory. His audience grows eve large, as he spreads his techniques to new forms of film. In his most recent work, he directed the music video “Bones” by the British alternative rock band The Killers. Along with this, he found a student’s short animated movie, turning it into a full-length feature film, called “Nine. ”

Tim Burton’s Movie Expertise